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The poetic neurologist Oliver Sacks (July 9, 1933–August 30, 2015) was a kind of uncommon seers able to bending their gaze previous the horizon of their tradition’s givens. He wrote presciently about consciousness, our seek for that means, and ChatGPT 30 years earlier than ChatGPT. He challenged the blind spots of Western medication together with his empirically examined religion within the therapeutic energy of nature. And as he was dying, he wrote poignantly concerning the measure of a life absolutely lived.
![](https://i0.wp.com/www.themarginalian.org/wp-content/uploads/2018/01/oliversacks_scourfield.jpg?resize=680%2C675&ssl=1)
An epoch earlier than the civilizational cult of Extra metastasized within the grim golden age of Large Knowledge and megaeverything, lowering human beings to knowledge factors in an immense scatterplot of company revenue, Dr. Sacks thought of what it will take to avoid wasting humanity from itself.
When requested about his key idea for the close to future, he solutions in his heat English accent, New York Botanical Backyard t-shirt, and passionate conviction:
In two phrases… human scale.
I believe we now have to protect the human scale — in life, in constructing, in structure, in know-how. The human scale doesn’t imply we are able to’t have grand visions of the universe, it doesn’t preclude the event of physics and cosmology, nevertheless it does imply one shouldn’t be an nameless particular person — an nameless non-person, certainly one of a thousand non-people — in a skyscraper.
I believe the problem is how can one protect the human scale in nice cities, in megalopolis, in firms, in excessive know-how… however, my God, we should accomplish that — or there will probably be genocide, atomic bombs, and we’ll all perish and take the planet with us. Human scale is the factor that may save us.
Complement with the poetic naturalist Henry Beston on the sacredness of the small scale, then revisit Oliver Sacks on the three important components of creativity, the constructing blocks of personhood, and the facility of music.
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